Note: If you are in the market looking for a 4K camera that fits your budget, make sure to check out this review by our friends at MuchNeeded. The Sony FE 24-70mm F2.8 GM is a premium standard zoom lens for Sony mirrorless cameras that delivers strong image quality, but shows some distortion. These lenses cover a moderately wide angle view when zoomed all the way out, and offer enough zoom power to hone in for portraits. Lensbaby also makes a series of soft-focus lenses with very close focus, the Velvet line. We are including this lens on the list because it is the best pancake lens you can get for your … All rights reserved. The Lomography New Petzval 55mm f/1.7 MKII is inspired by lenses from the 19th century, capturing photos with swirling backgrounds and an ethereal look. Still, there aren't as many dedicated wide lenses for the system. The Sony E PZ 18-200mm F3.5-6.3 OSS is a niche version of the 11x lens built for video with a smooth, adjustable speed servo-powered zoom. The Sony FE 35mm F1.8 is proof that you don't need an exotic f/1.4 lens to get crisp shots with blurred backgrounds. The Sigma 105mm F2.8 DG DN Macro Art offers everything you want in a macro lens, including near-perfect optics, 1:1 reproduction, and a professional fit and finish. A lower value focal length nets a wider view. Lenses To Complement Your Alpha Camera. The FE 100-400mm F4.5-5.6 GM OSS fills a telephoto gap in Sony's premium lens lineup, packing crisp optics, fast autofocus, and strong image stabilization into a compact, lightweight telezoom. If you're happy with the angle of view you get from your standard zoom, but want a lens that can gather more light, blur backgrounds with greater ease, and with generally better image quality, a prime lens may be what you're after. The Best Sony DSLR & Mirrorless Lenses for 2021, The 10 Best Video Lens for Sony DSLR & Mirrorless Cameras in 2021, Sony Sonnar T* FE 55mm f/1.8 ZA [E-Mount, Full Frame], Rokinon 50mm F1.4 Lens [E-Mount, Full Frame], Sony 10-18mm Wide-Angle Zoom Lens [E-Mount, APS-C], Rokinon FE 14mm F2.8 Ultra Wide Fixed Lens [A-Mount, Full Frame], Sony 24-70mm f/4 Vario-Tessar T* FE OSS [E-Mount, Full Frame], Sigma 17-50mm f/2.8 Lens [A-Mount, APS-C], Sigma 18-35mm F/1.8 APS-C Lens [A-Mount, APS-C], Rokinon 35mm T1.5 Aspherical Cine Lens with De-Clicked Aperture [E-Mount, A-Mount, Full Frame], Sony FE 70-300mm F4.5-5.6 G OSS Lens [E-Mount, Full Frame], Sony SAL-16F28 16mm f/2.8 Fisheye Lens [A-Mount, Full Frame], The 14 Best Drawing Tablets for Professional Use, The 11 Best DSLR & Mirrorless Camera Stabilizers in 2021, The 8 Best Smartphone Gimbal Stabilizers in 2021, The 12 Best Laser Cutter & Engraving Machines, Fixed lens with E-mount full frame, not zoomable, Minimum focus distance of 19-11/16 inches, Carl Zeiss T* coating reduces internal reflections for better contrast, Circular aperture for smooth, natural background bokeh effect, 50mm prime lens with Full Frame Sensor coverage, Ultra Multi-Coating (UMC) for improved light transmission, Internal Focusing design for non-rotating 77mm filter threads, Hybrid aspherical and aspherical lens elements reduce color aberrations, Circular aperture for more natural “bokeh” effect, Rubberized focusing ring for quiet focus control, Super wide angle zoom lens with 10-18mm focal length, Focal length equivalent to 15mm in 35mm cameras, Built-in Optical SteadyShot image stabilization, Circular aperture for smooth, natural defocusing, Aspherical lens elements to reduce aberrations, Reduces distortions, color aberrations, ghosting, and flares, Angle of view of 84 degrees to 34 degrees, Minimum aperture: F22; Maximum aperture: f/4, Circular aperture for more natural defocusing, ED glass improves color quality and reduces chromatic aberrations, Aspherical lens design reduces aberrations and reduces lens weight and size, Large aperture zoom lens optimized for Sony A-mount cameras, Hyper-Sonic Motor (HSM) for quiet high-speed auto focus, OP anti-shake feature for much slower shutter speeds, Sigma FLD glass elements to correct all types of aberrations, Super Multi-Layer coating reduces flare and ghosting, 18-35mm focal length,, or 27-52.5mm equivalent on APS-C cameras, F/1.8 maximum aperture; F16 minimum aperture, Ring-type ultrasonic AF motor with full-time manual focusing, Wide glass molded aspherical lens with SLD glass to reduce aberrations and curvature, De-clicked aperture to reduce noise for more specific manual settings, Follow focus compatible to focus and use aperture ring without interrupting video shoot, Full-frame 70-300mm G Series telephoto lens, 9-blade circular aperture for smooth background bokeh effect, 2x Extra-low Dispersion glass dramatically reduces aberration, Aspherical elements reduce spherical aberration, Optical SteadyShot for sharper images even at full telephoto zoom, Direct control buttons and switches on lens, Includes 4 built-in filters: A12, B12, 056, and Normal. If you're buying a camera with a bundled lens, chances are it's a standard zoom. The Sony E 50mm F1.8 OSS is a short telephoto lens for APS-C mirrorless cameras. The aperture can be manually set to a specific setting like f/2.8 with follow focus compatibility to focus and use the aperture without interrupting shooting. The Super Multi-Layer coating reduces ghosting and flares in images. The Sony SEL1018 offers stunning images that emphasize perspective or the ability to film sweeping landscapes with a wider minimum focal length than most wide angle zoom lenses. And, the Sony 18-135mm & 18-105mm will probably cover your needs pretty well (if you have one and love it) … Its focal length is an ideal fit for wildlife and sports specialists, and an internal zoom design sets it apart from lesser-priced alternatives. The Sony E 16-50mm F3.5-5.6 PZ OSS is a low-cost zoom that puts more emphasis on size and weight than absolute image quality. As advanced as smartphones are becoming, they are still no replacement for a quality DSLR camera with the right lens. You’ll notice very easy manual focusing, although auto focusing is convenient in some shooting situations. While blogging and YouTube marketing are the future, a successful marketing campaign requires using video and audio mediums as effectively as possible. Updating to a mirrorless or DSLR camera allows you to swap out various lenses to fit specific needs. Construction is more plastic, but there are some good values to be found if you're set on paying less. Personally I would go with the Sony FE 35mm f/1.8 Lens for the excellent image quality, smaller lightweight design, and overall value for the dollar ratio. We used Sony's FE 400mm F2.8 GM to capture a pro rugby match, for example. The Voigtlander Nokton 21mm F1.4 lens marries modern optics to vintage aesthetics with much success, capturing serene images and delivering the true mechanical manual focus experience to which many still cling. The Rokinon 45mm F1.8 AF Sony E has better optics and autofocus than you'd expect from a budget lens, though it skimps on build quality. Lenses around 24mm capture a more moderate wide angle on an APS camera. Photographers love to reach for a wide-angle lens to capture a vast landscape view, or to get really close to a subject, while still giving context to the surroundings. Lens designers have the ability to make wide lenses a lot smaller when making them for APS cameras, but there's less of an advantage for longer lenses. What lenses are best for the Sony A7iii and which ones should you buy? If you use an APS-C model, it will come bundled with the small 16-50mm, a retractable power zoom, or the more premium 18-135mm, which offers a longer zoom ratio. It benefits from Sony's early bet on mirrorless, along with support from numerous third parties. Most telephoto lenses are made for full-frame systems. The Sony FE 200-600mm F5.6-6.3 G OSS is a premium zoom lens. The Sigma 24-70mm F2.8 DG DN Art lens undercuts first-party alternatives in cost without too much sacrifice, and should be near the top of your shopping list among standard zooms. If you're willing to delve into manual focus lenses, there are many other unique ultra-wide options available, from makers like Rokinon, 7artisans, and Venus Laowa. The Sony E 30mm F3.5 Macro is an affordable, lightweight macro lens. They're not lenses that most, or even many, will buy, but are there to meet the needs of photographers working the sidelines at pro sporting events. We’ve included all the lenses you will possibly need so pick them up and have fun. The Sony Sonnar T* FE 55mm from Carl Zeiss offers the best in resolution and contrast with a lens for a full-frame Sony E-mount body. Images are crisp, with pleasing blurred backgrounds when shot at a wide aperture. PCMag Digital Group. The big trade-off with a wide aperture is you can’t focus on as many objects at different distances because the lens has a shallow depth of field. Creatives can also look at lens filters and add-ons, like the Lensbaby Omni system. It does a great job curbing barrel distortion, even if it's not truly Zero-D as advertised. The 70-200mm f/2.8 GM OSS is a heavy-duty lens for professional photographers looking to get the most out of their a7 camera.Whether it’s for portraits, sports, or wildlife, the lens … The Sony FE 70-200mm F2.8 GM OSS is a true pro-grade zoom lens for Sony mirrorless cameras, with performance that lives up to its asking price.