It can also give you excellent clarity. Additionally, the clip tends to get loose unless you occasionally tighten it with a screwdriver. The Shure SM7B and Electro-Voice RE20 include built-in windscreens to prevent this type of noise. RE20 ... SM7b vs RE20 vs MD421. For this reason we prefer the EV RE20. OR "Treat it like a lifeless business". Lastly,at ~$325 you can buy four SM7B's for the price of three RE20's, not that you'd need that many. I tend to like the re-20 more on guitar if I want the bass to occupy more low end then the kick, if I want the kick to be lower in the mix and the bass higher in the frequency range, I'll use the SM7b. There are a couple cuts between 400 Hz and 5 kHz, while having a bump in the frequencies above 5k and remaining strong until 18 kHz. The Shure SM7B is probably the most popular microphone for streaming on this list, although the AT2020 is a close second, used by the likes of ChocoTaco, KayPeaLoL and CouRageJD to name a few. You’ll also be introduced to some other things to consider when deciding between the Shure SM7B and the Electro-voice RE20, such as mounting, gain requirements, and visual aesthetic. As an Amazon Associate I earn from qualifying purchases. There is a suspension shock mount for the RE20 for about $100. Shure SM58 vs Rode PodMic Comparison | Which is better? Shure SM7B vs Electro-Voice RE20 Comparison Shootout - YouTube The drop after 12 kHz helps can reduce a lot of mouth noise and clicking that can be irritating after listening to a recording (like a broadcast or podcast) for 60+ minutes. If you like a flatter, more natural sound, I'd lean toward the RE20 or SM7B… It costs about $450, making it slightly more expensive than the SM7B. With that said, my advice is to save the extra money and go with the Shure SM7B. We create tutorials, comparisons, demonstrations, and reviews for home studio equipment under $500 including audio interfaces, audio mixers, microphones, and more. If you go with the RE20, I recommend spending the extra money for the shock mount. When it comes to broadcast and podcasting in an office, or untreated room, it’s hard to beat the Shure SM7B … Or maybe your podcasting rig is already running an SM7B and you’ll want the MV7 for remote guests and recording on the road. Not only does the shock mount cost an extra $100, but it is much larger than the simple yoke mount included with the SM7B. Both of these microphones require a lot of gain, so you will need a preamp capable of supplying that gain. The SM7B has an external windscreen that seems to be a more effective defense against plosives compared to the internal windscreen built into the RE20.eval(ez_write_tag([[336,280],'audiouniversityonline_com-banner-1','ezslot_5',152,'0','0'])); Both the Shure SM7B and the Electro-Voice RE20 have excellent build quality and sound great for recording voice. The only option when using the Shure SM7B is the built-in yoke mount, and it allows users to easily adjust the microphone position. By the end of this... New posts and videos are always in the works. Both the Shure SM7B and the EV RE20 are excellent microphones for recording voice.eval(ez_write_tag([[336,280],'audiouniversityonline_com-medrectangle-4','ezslot_0',150,'0','0'])); Let’s take a quick look at the technical specifications of each microphone. See All Discussions. The RE20 comes with a clamp mount, and you can purchase an (optional) shock mount for the RE20, but it is comically large, and we don’t recommend this for video applications. We recommend the RE20 over the Shure SM7B for broadcast, podcast, or live streaming applications. The frequency response of the Electro-Voice RE20 is has a bump in the low end below 400 Hz. Shure SM7B vs Shure MV7: Which is the best microphone for podcasting? amzn_assoc_ad_type = "link_enhancement_widget"; It features a switch to engage a high pass filter, which is indicated by the dotted line on the following frequency response graph. It has become extremely popular in the world of video podcasting. It is a unidirectional cardioid dynamic microphone with a full-metal chassis with an external foam windscreen that is designed to reduce interference by both electrical and … This means that the microphones pick up sound best from the front and reject sound from the rear. It's sound is warmer and s lot more natural I think. It also features a built-in high pass filter switch and presence boost switch, each indicated by the dotted lines on this frequency response graph. When recording voice, it is important to consider the potential for p-pops created by plosive sounds, such as “B”, “P”, and “T”. amzn_assoc_tracking_id = "kettnercreati-20"; GoXLR & Shure SM7B Setup | Best Mic Settings. I would also like the throw the Sure SM7b into the ring as it is the same price and has a great sound. Key Differences. Instead of teaching you the solution to every possible situation, Audio University will equip you with a foundational understanding of audio, giving you the power to overcome whatever obstacles you'll encounter. To help provide samples for multiple use cases, the test is run 3 times – once with the raw audio, another with some enhancement by the DBX286, […] If you add up the cost of the RE20 and the shock mount, the combined price becomes $550! It costs about $450, making it slightly more expensive than the SM7B. The RE20 has an internal windscreen and doesn’t typically require an external foam windscreen. The Shure SM7B has two options for foam windscreens. Discussion. We believe that the plosive protection or “pop” protection on both microphones is sufficient and there is no need to add an external pop filter or windscreen. It’s flexibility, build quality, and sound quality … Thank you for checking out this reading and good luck! If you like a flatter, more natural sound, I'd lean toward the RE20 or SM7B… subscribe to Audio University on YouTube! It has a lot of features that are ideal for broadcast, podcasting, and live streaming But, compared to the RE20, we find that the Shure SM7B has a tendency to sound a little muffled and flat. Quick Answer: We find that the EV RE20 provides more clarity while also providing a strong presence with the frequency response on the low end compared to the Shure SM7B. The RE20 also provides excellent sound for recording voice. Watch this video to quickly learn how to interpret the frequency response graphs for each microphone. amzn_assoc_linkid = "98b12096349a89758e126ba4a3da8150"; The RE20 is flatter in the bass frequencies which allows you to get a more authoritative tone. Both the Shure SM7B and the Electro-Voice RE20 have cardioid polar patterns. Heil PR40 – Broadcast Standard. Electrovoice RE20 – Broadcast standard. It is significantly brighter and less warm. With the AKG we have a slightly wider spectrum, going from 20 Hz up to 20 kHz. Audio-Technica BP40 vs Electro-Voice RE320 vs Shure SM7B vs Heil PR40 vs Rode Procaster vs Art D7. There isn’t an RM20 from EV, there’s an RE20 that is a very well known and fantastic mic that’s comparable to the SM7b, and I’m assuming this is what you mean. The flat mid section of the SM7B allows for an accurate recording of your subject. The microphone has a built-in pop filter, element shock mount, and windscreen to eliminate most if not any unwanted noise. Our Virginia-based experts can help you find the best gear. Blue Yeti vs Shure SM7B Comparison The Blue Yeti is the most popular USB microphone in the world for a reason. The SM7b has a flatter mid section while the RE20 cuts at a few points between 400 Hz and 5kHz causing the lows and highs to sound more pronounced. This post will help you determine which of these microphones is right for you.eval(ez_write_tag([[250,250],'audiouniversityonline_com-medrectangle-3','ezslot_2',149,'0','0'])); In this post, you’ll hear audio samples to compare basic sound quality, polar pattern testing, proximity testing, and plosive (p-pop) testing. While it doesn’t matter for audio-only work, many doing video podcasting might prefer the sleeker visual aesthetic of the Shure SM7B over the bulkier design of the Electro-Voice RE20. Electro Voice RE-20. The frequency response of the Shure SM7B (when HPF is turned off) has a low cut prior to 700 Hz, a small flat section from 700 Hz to 4 kHz, followed by some high end chop and a drop starting at 12 kHz. Shure SM7B typically sounds warm and sweet to the ears. Plosives are nearly impossible to remove after the fact without time-consuming, skillful editing. amzn_assoc_region = "US"; Kettner Creative is an experienced team of audio-visual professionals. amzn_assoc_marketplace = "amazon"; The SM7B comes with 2 external windscreen/pop filters, the RE20 does not. Testing & Technical Specifications How to Connect XLR Mic To Computer (Mac or PC), 6 Ways To Connect An Audio Mixer To A Computer (Mac or PC), How To Connect Audio Mixer To Audio Interface. Each microphone also has a windscreen which can help with wind noise and plosives. I would love to try an re20 but I think you're not getting a lesser mic with the sm7b. Better on vocals. by baskervils. Copyright © 2021. We recommend the RE20 over the Shure SM7B for broadcast, podcast, or live streaming applications. amzn_assoc_placement = ""; Although the final choice of mics may come down to your preference or a personal favorite, we still think the Shure SM7B will be a than its rival, considering its versatility. Interestingly enough, it makes a lot more sense to compare the SM7B to a condenser mic like AKG C214, than the dynamic SM58. This is one reason the SM7B has become so popular in the age of video podcasting and streaming. Let’s take a look at some important considerations to keep in mind when choosing between the two. Finally, it is important to provide podcast guests with an easily adjustable mounting option so that they can quickly adjust microphone positioning to accommodate their needs. This microphone sounds great on spoken word, vocals, and a variety of instruments. An iconic microphone in its own right, it has a place in music history, with artists including Michael Jackson and Bob Dylan relying on it for studio vocals. Do you need a Cloudlifter with SM7B & GoXLR? Shure MV7 is better for beginners, it’s cheaper, more portable, easier to setup and connect to a computer or phone via USB, and you can record at up to 18 inches away from the mic.You also have the flexibility to use XLR if you want more audio control or to record in two places at once. I would suggest the RE20, but that's your financial decision. The RE20 is my favorite dynamic mic. If you got value out of this post, please share it with someone who would also find it valuable! It’s important to know how to identify each connector type so that you can choose the right cable in each situation. Read this article by Audio University to learn about windscreens. Both of these microphones are excellent choices for podcasting, radio, and voiceover applications. The EQ profile of the RE20 is suited to those who are wanting a strong low end presence, pronounced mids, and bright tone with vocal clarity. If you've dabbled with streaming and … It has a lot of features that are ideal for broadcast, podcasting, and live streaming But, compared to the RE20, we find that the Shure SM7B has a tendency to sound a little muffled and flat. I have been looking to upgrade my microphone setup and have narrowed my choices to two options: Electrovoice re20 vs Shure SM7B. However, if you’re recording a voice any quieter than mine, you might need a more powerful interface or an inline signal booster, such as the Cloudlifter or the Royer DBooster. Why we picked Shure SM7B: If you are starting to gain traction on your stream and need to bring your streaming setup to the next level, the Shure SM7B is one mic you should consider. 2) I’m an original type of fella. The incredibly clear Electro Voice RE-20 is a great option for professional recording (similarly to the Shure SM7B) but might not be that great for live streaming because of its price. The Electro-Voice RE20 comes with a microphone clip mount. Shure SM7B. This tends to make the microphone front heavy. The Shure SM7B has an integrated mounting system complete with a clever cable management solution. In this video, Hayden Jamal reviews the Shure SM7B based on the myriad of projects that he has actually created with it. FREE Acoustical Measurement Software: Room EQ Wizard (REW), CHOOSING THE RIGHT AUDIO INTERFACE for a Recording Studio | Inputs, Outputs, & Price, AUDIO CONNECTORS | XLR, 1/4-Inch, 3.5mm, SpeakON, RCA, & More, Slightly enhanced vocal clarity and intelligibility, Front-heavy with included microphone clip. In terms of construction, both microphones are made from an all-metal chassis and are known to be extremely durable.The venting on the side of the EV RE20 should not be blocked because this is critical to the design and performance of their “Variable D” technology. The Electro-Voice RE20 is a dynamic microphone that has been an industry standard in the recording industry for many years, but particularly in the broadcast and radio industry. SEE THE RE20 FOR YOURSELF ON AMAZON!! The SM7b has a somewhat recessed lows & low mids section which provides a very clean low end. The battle RE20 vs SM7B is too difficult to define the winner! 0 Watch It. Shure SM7B vs Electro-Voice RE20 for Podcasting, Voice Over, & Radio, For more content like this, join the email list below and. Here are the three most... https://youtu.be/cA7cmrQTXBw There are many types of connectors you’ll encounter when working in the audio production industry. Check out that post to learn what frequency response is and why it’s important. You can hardly get plosives with it, and you can actually scream all the way into it and still get acceptably friendly sound levels. My question is which is better in terms of: sound quality ambient noise To … The Shure SM7B is a strong microphone and is an industry standard for a reason. The sound may not be for everybody, and the tailored high end will limit the applications of this mic. It sounds great on just about everything. It will be used for podcasting, no instruments at all. It does a great job of getting the dialog to sit atop of things like background music, bumpers, or gameplay when streaming. The Shure SM7B is a dynamic microphone that has been a staple in the recording industry for many years. For my voice, the preamps in this interface were sufficient.